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Table of Contents
(29.4)

Special Issue: Performing Emotions in the Arthurian World
Edited by Raluca L. Radulescu

Introduction: Performing Emotions in the Arthurian World 3

Raluca L. Radulescu

The Performative Function of the Socialized Body: Falling to One’s Knees in Hartmann’s Iwein and Erec 8

Chloé Vondenhoff

‘Al was hi sward, wat scaetde dat?’: Emotions and Courtly Cultural Exchange in the Roman van Moriaen 28

Frank Brandsma

Evadeam, Gawain, Merlin: Penitential Transformation and Unseen Truth
in the ‘Dwarf Knight’ Section of the Vulgate Cycle 44

Mikayla Hunter

Extreme Emotions: Sir Gawain and the Carl of Carlisle and the Danger from Within 57

Raluca L. Radulescu

In Memoriam: Necrology for Dhira Mahoney 74

Anita Obermeier and Georgiana Donavin

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REVIEWS

Ian Cornelius, Reconstructing Alliterative Verse: The Pursuit of a Medieval Meter 76

Andrew Galloway

Miriam Edlich-Muth, ed., Medieval Romances Across European Borders 78

Leah Haught

Sara Harris, The Linguistic Past in Twelfth-Century Britain 80

Scott Gwara

Geoffrey Russom, The Evolution of Verse Structure in Old and Middle English Poetry:
From the Earliest Alliterative Poems to Iambic Pentameter 82

Ian Cornelius

Judith Shoaf, ed. and trans., The Quest of the Holy Grail 85

Ann McCullough

Alison Stones, Studies in Arthurian Illustration 86

Alan Lupack