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Table of Contents
(16.2)
Introduction: Tom Hanks, The Voice of Malory 5
Julie Nelson Couch
A Tale of 'Simple' Malory and the Critics 10
Andrew Lynch
Sir Thomas Malory's Narrative of Faith 16
Kevin T. Grimm
'I Love nat to be constrayned to love': Emotional Charity and Malory's World 21
Felicia Nimue Ackerman
'Alas! Who may truste thys world?': Absence of Trust in Malory's Tale of 'Balin le Sauvage' 25
Janet Jesmok
The (Non-)Christian Knight in Malory: A Contradiction in Terms? 30
Dorsey Armstrong
Elaine of Ascolat's Death and the Ars Moriendi 35
Rebecca L. Reynolds
Malory's Use of 'Counsel' and 'Advyce' in Creating a King 40
Meredith Reynolds
Malory and Cardiff 45
P.J.C. Field
"Delyver Me My Dwarff!': Gareth's Dwarf and Chivalric Identity 49
Emily Rebekah Huber
The Worst Arthurian Cartoon Ever 54
Michael N. Salda
Lancelot's Wives 59
Helen Cooper
Rest in Peace: Launcelot's Spiritual Journey in Le Morte Darthur 63
Kate Dosanjh
Malory's Lancelot and the Language of Sin and Confession 68
Karen Cherewatuk
Divine Love or Loving Divinely?: The Ending of Malory's Morte Darthur 73
Mickey Sweeney
Back from the Queste: Malory's Launcelot Enrages Gwenyvere 78
Alan Gaylord
Reading Aloud with Tom Hanks: A Reader's Perspective 84
Paul Thomas
The Clash of Genres at the Siege of Benwick 88
Thomas J. Farrell
The Round Table 94
Reviews
Susan Aronstein, Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia 97
Tison Pugh
Jane Chance, ed., Women Medievalists and the Academy 98
Jacqueline de Weever
Donald Cheney and Brenda M. Hosington, ed., with the assistance of D.K. Money,
Elizabeth Jane Weston: Collected Writings 100
Edward V. George
Gillian Rosemary Evans, Fifty Key Medieval Thinkers 101
Arjo Vanderjagt
Justin E. Griffin, The Grail Procession. The Legend, the Artifacts, and the Possible Sources of the Story 102
Ulrich Müller
Joan Upton Hall, Arturo el Rey 103
Kevin J. Harty
Nora M. Heimann, Joan of Arc in French Art and Culture (1700–1855), From Satire to Sanctity 104
Kevin J. Harty
Ananya Jahanara Kabir and Deanne Williams, Eds.
Postcolonial Approaches to the European Middle Ages: Translating Cultures 105
Laurie Finke
Lionel Smithett Lewis, St. Joseph of Arimathea at Glastonbury or The Apostolic Church of Britain 107
Deborah Crawford
Henry Purcell, King Arthur, or The British Worthy; A Dramatick Opera in Five Acts 108
Kevin J. Harty
Katharina A. Wilson and Nadia Margolis, eds., Women in the Middle Ages: An Encyclopedia 109
Laura D. Barefield